"Reading is the creative center of a writer's life." — Stephen King
August 28, 2014
. . . and spill gold over things that tell us who we are.” This is from “Learning the Language” by Henry Taylor. It’s a beautifully constructed poem that follows strict rules of rhyme and meter. When he won the Pulitzer Prize in 1986, his love … Read More
August 21, 2014
In the tenth anniversary edition of the memoir The Liar’s Club, Mary Karr writes, “Just as the novel form once took up experiences of urban industrialized society that weren’t being addressed in sermons or epistles or epic poems, so memoir — with its single, intensely personal … Read More
August 14, 2014
When Pride and Prejudice turned 200 years old last year, the Guardian ran a wonderful collection of short pieces about the main characters by a variety of writers, who said the sorts of thing that literary people say when they are out partying: Mr. Bennett is a … Read More
August 7, 2014
“Danger” might not be the first word that comes to mind when thinking of Robert Frost. And yet, look at what he says in this article: “If poetry isn’t understanding all, the whole word, then it isn’t worth anything. Young poets forget that poetry must include … Read More
July 31, 2014
What should the first sentence in a great novel do? Set the tone, establish the location and perhaps introduce the main character? The first sentence in Amy and Isabelle by Elizabeth Strout does more than that. It gives us the dying river image, which prepares us … Read More
July 22, 2014
This comes from a speech by John F. Kennedy that pays tribute to Robert Frost. He said, “When power leads men towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man’s concerns, poetry reminds him of the richness and diversity of his … Read More
July 17, 2014
Are poems tools? The 90 contributors to this book think so. They describe how specific poems have helped them. For example, our line this week, from the poem “Kindness” by Naomi Shihab Nye, was submitted by a teacher who has those words tattooed on her leg. … Read More
July 10, 2014
Oh, how I love an unreliable narrator! Our quote is the first sentence of the novel, and it’s clearly a flat-out lie. (The strangest thing about anyone’s return from the dead is that it happened — of course people thought it’s strange.) So, if the main character … Read More
June 26, 2014
Why read poetry? If you read novels because you like to find out what happens, and if you read non-fiction because you like to learn something, why read poetry? I read it because I like to think about questions that no one has “the” answer to. I … Read More
June 19, 2014
No writer can make me laugh harder but wince longer than Lorrie Moore. Here is a sample of her humor: “Mike’s friends, however, tended to be tense, intellectually earnest Protestants who drove new, metallic-hued cars and who within five minutes of light conversation could be … Read More
June 12, 2014
I’ve always been interested in how writers choose to structure their stories. I was particularly curious about the narrative architecture of this book because it’s a biography about someone who is famous for the revolutionary way he constructed his autobiography. If this author had chosen to describe … Read More
May 29, 2014
At 771 pages, this is a long novel. Is it worth it? Many of the 57 commentators on the Kirkus review didn’t think so. However, I love the way Tartt develops big themes. And she has sentences that are works of art. The NY Times review, … Read More
May 22, 2014
Uniquely in America, there is “a desire to understand in the heat of living,” says Natalie Goldberg in her book about the practice of writing memoir. Don’t think of memoirs as records of events. Instead, think of it as a chance to make sense of your life … Read More
