“If trees could speak they wouldn’t. . .

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The poem continues: “. . . only hum some low green note, roll their pinecones down the empty streets and blame it, with a shrug, on the cold wind. During the day they sleep inside their furry bark, clouds shredding like ancient lace above their crowns.” These … Read More

“…I lived in a series of all-decisive moments, and the intensity was so great that sometimes life felt almost unlivable….”

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This is not a book for readers who hate getting lost when a scene on page 105 doesn’t get resolved until page 340. It is for readers who would like to see how a literary genius describes the challenges and boredom of a normal life. The story’s … Read More

“Which way lies truth, in the end? In power, or in Art?”

Barbery croppedNovelists make assumptions about their readers’ interest in technical details, whether they’re writing about sabotage, romance or philosophy.  The Elegance of the Hedgehog is written by a philosophy professor who assumes we want to know the technical details of her two main character’s struggle to find a … Read More

“Tonight the windows hold all light inside: they fold it back on walls…

Taylor Henry cropped. . . and spill gold over things that tell us who we are.”  This is from “Learning the Language”  by Henry Taylor. It’s a beautifully constructed poem that follows strict rules of rhyme and meter. When he won the Pulitzer Prize in 1986, his love … Read More

“A dysfunctional family is any family with more than one person in it.”

karr croppedIn the tenth anniversary edition of  the memoir The Liar’s Club, Mary Karr writes, “Just as the novel form once took up experiences of urban industrialized society that weren’t being addressed in sermons or epistles or epic poems, so memoir — with its single, intensely personal … Read More

“Till this moment, I never knew myself.”

austin croppedWhen Pride and Prejudice turned 200 years old last year, the Guardian ran a wonderful collection of short pieces about the main characters by a variety of writers, who said the sorts of thing that literary people say when they are out partying: Mr. Bennett is a … Read More

“Give the buried flower a dream.”

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“Danger” might not be the first word that comes to mind when thinking of Robert Frost. And yet, look at what he says in this article: “If poetry isn’t understanding all, the whole word, then it isn’t worth anything. Young poets forget that poetry must include … Read More

“It was terribly hot that summer Mr. Robertson left town, and for a long while the river seemed dead.”

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What should the first sentence in a great novel do? Set the tone, establish the location and perhaps introduce the main character?  The first sentence in Amy and Isabelle by Elizabeth Strout does more than that. It gives us the dying river image, which prepares us … Read More

“Our national strength matters, but the spirit which informs and controls our strength matters just as much.”

TorricelliThis comes from a speech by John F. Kennedy that pays tribute to Robert Frost.  He said, “When power leads men towards arrogance, poetry reminds him of his limitations.  When power narrows the areas of man’s concerns, poetry reminds him of the richness and diversity of his Read More

“Before you know kindness as the deepest thing inside, you must know sorrow as the other deep thing.”

Intrator croppedAre poems tools? The 90 contributors to this book think so. They describe how specific poems have helped them. For example, our line this week, from the poem “Kindness” by Naomi Shihab Nye, was submitted by a teacher who has those words tattooed on her leg. … Read More

“The strangest thing about my wife’s return from the dead was how other people reacted.”

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Oh, how I love an unreliable narrator! Our quote is the first sentence of the novel, and it’s clearly a flat-out lie. (The strangest thing about anyone’s return from the dead is that it happened — of course people thought it’s strange.) So, if the main character … Read More

“We travel, some of us, to slip through the curtain of the ordinary…”

Iyer croppedDo you spend a large part of your day skimming through information?  I do. I believe that most writing can be successfully skimmed. An exception is the work by Pico Iyer, whose essays I savor.  He writes about travel, which he defines as “journeys into whatever … Read More

“What is the difference between a self and a soul?”

howe croppedWhy read poetry?  If you read novels because you like to find out what happens, and if you read non-fiction because you like to learn something, why read poetry? I read it because I like to think about questions that no one has “the” answer to.  I … Read More

“The menu, like love, was full of delicate, gruesome things — cheeks, tongues, thymus glands.”

Moore croppedNo writer can make me laugh harder but wince longer than Lorrie Moore. Here is a sample of her humor: “Mike’s friends, however, tended to be tense, intellectually earnest Protestants who drove new, metallic-hued cars and who within five minutes of light conversation could be … Read More

“Montaigne proved himself a literary revolutionary from the start, writing like no one else. . .”

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I’ve always been interested in how writers choose to structure their stories. I was particularly curious about the narrative architecture of this book because it’s a biography about someone who is famous for the revolutionary way he constructed his autobiography. If this author had chosen to describe … Read More