Category: non-fiction

“I still haven’t given up Norway, and if it is God’s will, I would like to go back one day.”

A review of “Kristine, Finding Home: Norway to America” in 100 words by Catherine Stover

There are two groups of readers who will love this book. Descendants of Norwegian immigrants (like me) who have grown up hearing about wanting to go back to Norway someday will recognize many of the … Read More

“I’ve sometimes wondered whether novelists like to be remembered for what they’ve said or because they’ve said it in their own particular way – in their own distinctive voice.”

In 1978, the BBC invited Barbara Pym to be a guest on its program where well-known writers discussed their work. Her views on the “distinctive voice” of a writer was of particular interest: in the 1960s, her publisher declined her seventh novel because he said her style was “old fashioned.” … Read More

“You have to give yourself the space to write a lot without a destination.”

After winning the UK’s most prestigious writing award, this Irish novelist was asked which books had influenced her most. She said she loved Writing Down the Bones because it told her to “just have a go and see what comes out.” This 30-year-old book still sells 30.000 copies a year… Read More

“When people write reviews, they are really writing a kind of memoir – here’s what my experience was eating at this restaurant or getting my hair cut at this barbershop.”

Is this book a memoir? The title – The Anthropocene Reviewed and the subtitle Essays on a Human-Centered Planet — offer no clues. However, in the introduction, the author says that he wants to tell us stories about his life so that we can see how he has formed his … Read More

“In 1848 William and Ellen Craft, an enslaved couple in Georgia, embarked on a five-thousand-mile journey of mutual self-emancipation across the world.”

How does a writer create suspense when the outcome of the real-life story is already known? This book excels at keeping readers at the edge of their seats. How? Woo did a “staggering amount” of research to learn the sensory details of the way things felt, smelled, sounded, looked, and … Read More

“Part of these essays probably are rooted in genuine recollections, but how, in the circumstances, can we trust anything that he [John Forster] says in them?”

But how much can we trust the new conclusions drawn by this author, writing 150 years after Dickens died? That’s the question readers need to consider. Newly digitized information is now available, and the author has a Ph.D. in English literature from Oxford University. I enjoyed this book, knowing that … Read More

“I had lost my self-confidence where you were concerned, had traded it for a boundless sense of guilt

I’ve been thinking about Kafka’s story about turning into an insect this week, and why he would write a story about a young man who shamed his family by turning into a useless cockroach. A Czech bookstore had a book-length letter that Kafka wrote to his father, which was … Read More

“Then she leaned over and bit him hard on the cheek.”

Even though this biography of novelist Barbara Pym was picked as a “Best Book of the Year 2021” by the London Times, the Guardian, and the Daily Telegraph, I was initially reluctant to read it. I didn’t want to learn things that would make me think less of … Read More

“You make the path boldly and follow it fearfully.”

The last word of this sentence stunned me. The Annie Dillard I know is one of the boldest writers. Could she experience fear when writing? She does. She says, “In your humility, you lay down the words carefully, watching all the angles.” Then, she looks for parts that look … Read More

“Fiction . . . is not dropped like a pebble upon the ground, as science may be; fiction is like a spider’s web . . .”

Virginia Woolf continues, “attached ever so lightly, perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare’s plays, for instance, seem to hang there complete by themselves.” It’s only when the web is torn in the middle, says Woolf,  that we see that … Read More

“When I wrote my book ‘On Writing Well,’ I had a definite model in mind. . . it was Alec Wilder’s book about music.”

A veteran of WWII, William Zinsser was one of the first to give American writers advice that might be described as “touchy-feely.” In his classic On Writing Well, he says that he is most “interested in the intangibles that produce good writing – confidence, enjoyment, intention, integrity.” He … Read More

“Remember: Your biggest stories will often have less to do with their subject than with their significance . . .”

William Zinsser continues, “. . .not what you did in a certain situation, but how that situation affected you and shaped the person you became.” Zinsser reminds us that readers don’t want to be impressed by your accomplishments. They don’t want to see whining, anger, or revenge. Instead, you should … Read More

“His job wasn’t to recreate reality, but to immerse viewers in a kind of dream.”

When writing stories, the most important thing is to tell everything that happened, right? Well, maybe not. Hart argues that the author’s goal is not to describe the world in all its complexity.  Rather, consider the advice offered by David Lean, director of Lawrence of Arabia. He said his breakthrough … Read More

“Kafka attended courses on the History of German Art, History of Architecture, History of Dutch Painting, and History of Christian Sculpture.”

Anne Tyler, John Updike, and Flannery O’Connor all made paintings and sketches in addition to writing fiction. As it turns out, so did Franz Kafka, who had a strong interest in art from his teens to his untimely death at age 40. What can you learn from looking at his … Read More

“Lately I’ve found myself reaching for the books of certain familiar writers, whose own zest and energy offer some kindly remedy to my condition.”

Perhaps you can relate to this: while I enjoy the holidays, I also am running low on the “zest and energy” that Mary Oliver describes in this essay. Her solution to this problem is to reconnect with familiar writers. Her book, which has been in my hands for thirty years, … Read More