Because we all make questionable decisions from time to time, it’s only natural to wonder if we are our own worst enemy, or if we are the hero in our life, or something in between. Many memoirs begin with this question. However, this book is not a memoir: it’s a … Read More
Category: fiction
“One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.”
This story about a man who turned into a type of insect has been called surreal, humorous. a horror story, neurotic, and “the greatest short story in the history of literary fiction.” I visited a museum devoted t0 Kafka in Prague. It was the weirdest, most unpleasant museum I’ve ever … Read More
“I expect you to beat the odds. That’s my gift to you, in fact, that gift of expectations.”
At the end of this novel, Peter Sullivan tells the hard-scrabble students in his English class that he believes in them and expects them to succeed, even if no one else has ever had faith in them before. What a wonderful gift! In fact, in the closing pages, we … Read More
“I have learned,” said the Philosopher, “that the head does not hear anything until the heart has listened, and that what the heart knows to-day, the head will understand to-morrow.”
Interesting ideas sparkle throughout this novel. Here are two examples: “Curiosity will conquer fear even more than bravery will” and “…for life may not be consecutive, but explosive and variable, else it is a shackled and timorous slave.” It was written a hundred years ago by an Irish poet … Read More
“Many years before, Abacus had come to the conclusion that the greatest of heroic stories have the shape of a diamond on its side.”
We are 500 pages into the story when this observation about the ideal structure for stories appears: “Beginning at a fine point, the life of the hero expands outward through youth as he begins to establish his strengths and fallibilities, his friendships and enmities….but at some untold moment, the two … Read More
“Twelve years after Robin’s death, no one knew any more about how he had ended up hanged from a tree in his own yard than they had on the day it happened.”
Even though I am not normally drawn to murder mysteries, I read this novel because Donna Tartt demonstrates how a writer can successfully break the rules. None of her characters are likeable; instead, they are suffering, or damaged, or limited, or all three. The plot does not have a satisfying … Read More
“I can allow myself to speculate on all that now, though it would not have occurred to me to do so at the time.”
When writing about something that happened years ago, should you stick to the story, or should you interject speculations about what could have happened? Should you also comment on your speculations? People who write stories about things that happened to them regularly consider these questions. Pulitzer Prize recipient Peter Taylor… Read More
“One goes on living in the hopes of seeing another spring,” Daphne said with a rush of emotion.
When the London Review of Books called Barbara Pym “a brilliant comic writer,” they had scenes like this in mind. Here’s how Pym does it: First, emotion is expressed – not by someone beautiful and in love, but by Daphne, the lonely older sister of the vicar. She points … Read More
“This is the story of a crisis in our lives . . . during a journey alone.”
With sequels, come skepticism, and when the first in the series won the Pulitzer Prize, it’s tempting to expect just a replay of what worked well before. One critic called for a better evaluation of American Life; others said it’s a mixed blessing of a book. I’m in the … Read More
“Mom, I don’t know who to trust!”
Elizabeth Strout’s new novel — a Christmas gift of the first order – is her most enigmatic. Reviewers have drawn wildly different conclusions about the book’s message. For me, the book explores what happens when you don’t know who you can trust. Lucy, the protagonist, finds that she can’t even … Read More
“For what could be more peculiar than a crowd of grown-up people . . . discussing scholarly niceties that meant nothing to most of the world?”
One of the things that I love about Barbara Pym’s novels is that her characters never set out to impress anyone. They acknowledge that their choices – for example, attending an academic conference as treatment for a broken heart – are eccentric. They’re vulnerable, interesting, and sometimes fooled by … Read More
“I felt there was a lot more I could say about the subject of danger.”
In Half Broke Horses, Lily Smith faces many dangers, from flash floods in rural Texas, to bankruptcy during the Great Depression, to medical emergencies that didn’t always end well. This convincing, unprettified narration doesn’t glorify “grit” – rather, it shows the unintended consequences that can come with survival. For … Read More
“Thorny people. They don’t always follow the etiquette.”
What do you think a story about a thorny family would include? If it’s by Anne Tyler, and if it covers a period of sixty years, you can expect to see that things don’t always work out. For example, the central character, named Mercy, does not have a close relationship … Read More
“When his wife had been alive, he had hardly noticed Jessie Morrow; indeed, if possible, he had noticed her even less than he had noticed his wife.”
In a 1978 BBC radio program, Barbara Pym said, “Perhaps I’ve been influenced by something I was once told about Proust – that he was said to go over all his characters and make them worse.” I laughed when I heard this because Pym does have a way of … Read More
