The last word of this sentence stunned me. The Annie Dillard I know is one of the boldest writers. Could she experience fear when writing? She does. She says, “In your humility, you lay down the words carefully, watching all the angles.” Then, she looks for parts that look … Read More
Author: Kate Stover
“Fiction . . . is not dropped like a pebble upon the ground, as science may be; fiction is like a spider’s web . . .”
Virginia Woolf continues, “attached ever so lightly, perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare’s plays, for instance, seem to hang there complete by themselves.” It’s only when the web is torn in the middle, says Woolf, that we see that … Read More
“It’s quite therapeutic going through the archives.”
Some memoirists want to record their history, others wish to tell great stories, and others, like Pamela Anderson, want to make sense of their lives. She is more interested in exploring “Who am I – when I’m alone?” than in the events that made headlines. She looks for answers in … Read More
“When I wrote my book ‘On Writing Well,’ I had a definite model in mind. . . it was Alec Wilder’s book about music.”
A veteran of WWII, William Zinsser was one of the first to give American writers advice that might be described as “touchy-feely.” In his classic On Writing Well, he says that he is most “interested in the intangibles that produce good writing – confidence, enjoyment, intention, integrity.” He … Read More
“Many years before, Abacus had come to the conclusion that the greatest of heroic stories have the shape of a diamond on its side.”
We are 500 pages into the story when this observation about the ideal structure for stories appears: “Beginning at a fine point, the life of the hero expands outward through youth as he begins to establish his strengths and fallibilities, his friendships and enmities….but at some untold moment, the two … Read More
“Twelve years after Robin’s death, no one knew any more about how he had ended up hanged from a tree in his own yard than they had on the day it happened.”
Even though I am not normally drawn to murder mysteries, I read this novel because Donna Tartt demonstrates how a writer can successfully break the rules. None of her characters are likeable; instead, they are suffering, or damaged, or limited, or all three. The plot does not have a satisfying … Read More
“I am going to write about all this one day, I told her, and she smiled at me.”
“Even as I write these words I am planning to rise from the chair as soon as I finish this sentence.”
We all know the feeling of being torn between wanting to take the time to think deeply and needing to get up to get something done. The tension between lofty ideas and everyday practicalities is a theme that runs through many of the works in this collection. In the poem … Read More
“One day you finally knew what you had to do, and began, though the voices around you kept shouting their bad advice –”
Mary Oliver’s poem “The Journey” continues, “though the whole house / began to tremble / and you felt the old tug / at your ankles . . .” The journey she describes didn’t stop, even though it was “a wild night.” The stars began “to burn / through the … Read More
“Remember: Your biggest stories will often have less to do with their subject than with their significance . . .”
William Zinsser continues, “. . .not what you did in a certain situation, but how that situation affected you and shaped the person you became.” Zinsser reminds us that readers don’t want to be impressed by your accomplishments. They don’t want to see whining, anger, or revenge. Instead, you should … Read More
“I can allow myself to speculate on all that now, though it would not have occurred to me to do so at the time.”
When writing about something that happened years ago, should you stick to the story, or should you interject speculations about what could have happened? Should you also comment on your speculations? People who write stories about things that happened to them regularly consider these questions. Pulitzer Prize recipient Peter Taylor… Read More
“Go north a dozen years on a road overgrown with vines to find the days after you were born.”
This remarkable first line of the poem “Sight” by Faith Shearin does three things: it provides a way to visualize a journey back in time along “a road overgrown with vines.” It includes an interesting slant rhyme with “vines” and “find.” And, it’s written as a command, in what English … Read More
“One goes on living in the hopes of seeing another spring,” Daphne said with a rush of emotion.
When the London Review of Books called Barbara Pym “a brilliant comic writer,” they had scenes like this in mind. Here’s how Pym does it: First, emotion is expressed – not by someone beautiful and in love, but by Daphne, the lonely older sister of the vicar. She points … Read More
“His job wasn’t to recreate reality, but to immerse viewers in a kind of dream.”
When writing stories, the most important thing is to tell everything that happened, right? Well, maybe not. Hart argues that the author’s goal is not to describe the world in all its complexity. Rather, consider the advice offered by David Lean, director of Lawrence of Arabia. He said his breakthrough … Read More
“So I decided to fashion a special kind of collage.”
How would a dissident playwright, who spent five years in prison before becoming the first president of Czechoslovakia, construct a memoir? If you imagine a creative architecture not seen before, you are right. It’s an engaging mix of observations, flashbacks, interviews, commentary, and memos to his staff at Prague Castle. … Read More