Anthony Doerr believes that literary writers should “strive toward complexity, toward questions, and away from certainty, away from stereotype.” This novel, which is a page-turner, one worth getting up early to read, demonstrates that he follows his own advice. Set in France and Germany during 1934-2014, focusing mostly on … Read More
Month: October 2014
“Denial was a talent she greatly admired. She could have been Gentile, except, of course, she wasn’t.”
How does a humorist write about death? This is what I wondered when I opened Delia Ephron‘s memoir, which has a piece called “Losing Nora” about her famous sister. She relies a lot on the formula that we see in the quote above: she starts by saying the opposite … Read More
“Skip the beginning. Start in the middle.”
What happens when a novel begins in the middle of the story? There is a certain awkwardness. You can anticipate that there will be a lot of skipping around, which requires concentration. Is it worth it? In the case of We Are All Completely Beside Ourselves, the answer is yes. … Read More
“O, my luve’s like a red, red rose, that’s newly sprung in June; my luve’s like the melodie, that’s sweetly play’d in tune.”
It’s hard to over-state how highly Robert Burns is revered by people from Scotland. In 2009, this 18th century poet was voted “the greatest Scot” by viewers of a Scottish television station. Every year on January 25th, Scots from around the world meet to recite the poem Tam o’Shanter even … Read More
“There should be brief intervals of time for quiet reflection . . .”
In this 1938 book about educational theory, John Dewey continues: “But they are periods of genuine reflection only when they follow after times of more overt action and are used to organize what has been gained . . .” He famously observed that you don’t learn from experience, you learn … Read More